An In-House Creative Team That Actually Ships
The biggest hidden cost in paid media is not media spend, it's creative bottleneck. When your buyers wait two weeks for a freelancer to deliver three statics, you stop testing, your fatigue curves break, and your CAC drifts up by 20%. We solved that by hiring the creative team in-house.
What the Creative Team Ships Each Week
- ›10-25 static + carousel concepts per active account
- ›5-12 short-form videos (UGC, motion-graphic, screen-recording)
- ›Landing pages and prelanders built on a tested component library
- ›Ad copy variants per platform, Google RSAs, Meta primary text, TikTok hooks
- ›Cut-downs and platform-specific re-edits of every winning asset
Disciplines Inside the Team
UGC + Talent
An in-house roster of creators across English, Spanish and Portuguese-speaking markets, plus paid talent partners for niche verticals (crypto creators, sports-betting personalities, gaming streamers).
Motion Design + Video Editing
After Effects + Premiere editors who specialize in 6-, 9-, 15-, 30-second cuts and platform-native edits (TikTok, Reels, Shorts, Spotlight).
Static + Carousel Design
Figma-first designers shipping into a versioned brand library so every static is consistent and on-brand at scale.
Conversion Copy + Direct Response
Copywriters trained on long-form sales pages, hook-frameworks and platform-specific text formats, not generic blog content writers.
Landing Pages + CRO
Front-end devs that ship custom prelanders and landing pages on a tested page-speed budget. We don't ship our paid traffic to slow Webflow templates.
Why In-House Beats Freelance for Paid Media
- ›Test cadence measured in days, not weeks
- ›No hand-off lag between brief and delivery
- ›Brand + tone consistency across thousands of assets
- ›Buyers and creatives sit in the same chat, winners get re-cut same-day
- ›Fatigue curves get refreshed before they hurt CAC, not after
Our retainer creative output averages 4-6x the volume our clients were getting from a freelance roster, at a fully-loaded cost roughly equivalent to what they were already spending on freelancers and revisions.
Frequently Asked Questions
Can we still send you our own creatives?+
Do you produce in languages other than English?+
Who owns the creative we pay for?+
Ready to See It in Practice?
Talk to a senior media buyer about your account. No sales pitch, just a real conversation about your numbers and what we'd do differently.